With iOS 7, Apple switched not to their own, custom font for iPhone and iPad, but to Helvetica Neue. It was perfect for an era of lower resolution displays and subpixel antialiasing. Lucida Grande has been the OS X system font for as long as there's been a system a font. Still, Apple designers are Apple designers, and that means the icons are still filled with great colors, amazing details, and even small touches like a subtle reflection effect on the metallic icons, blues and oranges as though they were situated in the environment of Yosemite itself. In general, however, the new look makes for a new feeling - a more ordered and organized one. Time Machine is round and Maps is tilted, to name but two. There are a ton of exceptions, of course. It's no longer in perspective, but it does have depth. The tilted round rectangle is used for traditional apps, especially productivity apps, like Mail, Calendar, TextEdit, and Preview, often with a smaller icon at the bottom left to better hint and functionality, like a stamp for Mail, a pen for TextEdit, and a magnifier for Preview.
The circle is used for content-focused apps, like iBooks, the App Store, Safari and the new, red, iOS-Music-app-matching iTunes. That includes not only the new, happier, even slightly more embossed Finder, but the new System Preferences as well. The rounded square is used for system-related apps. Oh, and a new, shiny, translucent trash can. Apple has standardized on three shapes - the rounded square, the circle, and the tilted rounded rectangle.
#Particle designer mac windows
Yosemite doesn't just give windows and interface elements a makeover, it goes all the way down to the icons.
It really is the best of the past and the present, and hopefully a sign of what's to come from both of Apple's platforms in the future. Where it once went from blessed 2D to faux 3D, it's now not only returned to past glory, it's done so in a newly translucent form. Perhaps nowhere is that better exemplified that the dock. It embraces the new without jettisoning what worked so well in the old.
It's one of the ways Yosemite is less extreme and better balanced than iOS 7 or iOS 8. As much as it breaks up the window and seems odd at first, it can also tie everything from the desktop to the folder grid together.īecause OS X is a multi-window environment, that shadows remain helps visually separate and stack different apps. The photos and icons and documents from your files show through. The colors from your wallpaper show through. Combined, they minimize distraction but still provide a sense of placement and personalization. We have clear sidebars that blur the background behind them, and streamlined tool bars that blurs the content beneath them. We have clean windows that still drop shadows. Instead we have solid colors, but subtle gradients. Gone are the gum-drop style buttons, and the last of the green felt has been left by curb. Where ever you fall on the spectrum, Apple is falling just short of totally flat. Still others as massive misstep when it comes to both design and usability. Others as a sign that we, as a collective, have matured beyond the need for skeuomorphic cues and affordances. Some believe it to be more authentic to the nature of the machines. Flatness, or the eschewing of rich textures for solid colors, is the prevailing trend in modern interface design.
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